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Chords and Scales

The Modes

Same notes, a different tonic

Dorian

Formula
1 2 ♭3 4 5 6 ♭7
From C
C D E♭ F G A B♭
Where it is used
A minor mode with a bright major sixth.

Phrygian

Formula
1 ♭2 ♭3 4 5 ♭6 ♭7
From C
C D♭ E♭ F G A♭ B♭
Where it is used
A minor mode marked by its lowered second.

Lydian

Formula
1 2 3 ♯4 5 6 7
From C
C D E F♯ G A B
Where it is used
A major mode with a raised fourth.

Mixolydian

Formula
1 2 3 4 5 6 ♭7
From C
C D E F G A B♭
Where it is used
A major mode with a lowered seventh.

Locrian

Formula
1 ♭2 ♭3 4 ♭5 ♭6 ♭7
From C
C D♭ E♭ F G♭ A♭ B♭
Where it is used
The only church mode whose tonic triad is diminished.

Other chapters: Triads · Sixths and Added Notes · Seventh Chords · Extended and Altered Chords · Major and Minor Scales · Pentatonic and Blues · Symmetrical Scales · Jazz Scales · Color Scales

Chord symbols and voicings vary by style. No chord–scale pairing is right in every context.

Open the Chords and Scales →

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