Chords
This page gives the formula, the chord symbol and the notes of each chord in the book, built on C. The chords range from triads to thirteenth chords, and each one is drawn on the staff.
Each formula counts from the root, which is 1. A ♭ lowers a degree by a semitone and ♯ raises it. The C examples make the shapes easy to compare, and the same formulas work in any key.
Build a chord
Choose a root, count the semitones of each interval and then check the letter names. For Cmaj7, play C–E–G–B.
Practice inversions
Play a triad in root position, first inversion and second inversion. Keep common tones when you change chords.
Hear the difference
Alternate Cmaj7 (C–E–G–B) and C7 (C–E–G–B♭). Listen to the seventh.
Triads
Triads and smaller shapes that everything else grows from.
Major triad
- Symbol
- C
- Formula
- 1 3 5
- From C
- C E G
- Where it is used
- A stable major sound. The I, IV and V chords of a major key are major triads.
Minor triad
- Symbol
- Cm
- Formula
- 1 ♭3 5
- From C
- C E♭ G
- Where it is used
- A major triad with its third lowered, which gives the minor sound.
Diminished triad
- Symbol
- Cdim
- Formula
- 1 ♭3 ♭5
- From C
- C E♭ G♭
- Where it is used
- A tense triad built on the leading tone (vii°) and on ii° in minor keys.
Augmented triad
- Symbol
- Caug
- Formula
- 1 3 ♯5
- From C
- C E G♯
- Where it is used
- A symmetrical triad of two major thirds, with a raised fifth.
Suspended second
- Symbol
- Csus2
- Formula
- 1 2 5
- From C
- C D G
- Where it is used
- The second replaces the third, which gives an open and unresolved sound.
Suspended fourth
- Symbol
- Csus4
- Formula
- 1 4 5
- From C
- C F G
- Where it is used
- The third is replaced by the fourth, which often resolves down to the third.
Power chord
- Symbol
- C5
- Formula
- 1 5
- From C
- C G
- Where it is used
- Root and fifth, often doubled at the octave. It is neither major nor minor.
Sixths and Added Notes
Color without a seventh.
Major sixth
- Symbol
- C6
- Formula
- 1 3 5 6
- From C
- C E G A
- Where it is used
- A warm tonic color in jazz and popular music.
Minor sixth
- Symbol
- Cm6
- Formula
- 1 ♭3 5 6
- From C
- C E♭ G A
- Where it is used
- A minor triad with a major sixth added.
Added ninth
- Symbol
- Cadd9
- Formula
- 1 3 5 9
- From C
- C E G D
- Where it is used
- A major triad with the ninth added and no seventh.
Minor added ninth
- Symbol
- Cm(add9)
- Formula
- 1 ♭3 5 9
- From C
- C E♭ G D
- Where it is used
- A minor triad brightened by an added ninth.
Six-nine
- Symbol
- C6/9
- Formula
- 1 3 5 6 9
- From C
- C E G A D
- Where it is used
- A major triad with the sixth and ninth and no seventh.
Minor six-nine
- Symbol
- Cm6/9
- Formula
- 1 ♭3 5 6 9
- From C
- C E♭ G A D
- Where it is used
- A minor triad with the major sixth and the ninth.
Seventh Chords
Harmony in four notes.
Dominant seventh
- Symbol
- C7
- Formula
- 1 3 5 ♭7
- From C
- C E G B♭
- Where it is used
- The V7 chord that pulls toward the tonic. Blues and rock also use it without resolving.
Major seventh
- Symbol
- Cmaj7
- Formula
- 1 3 5 7
- From C
- C E G B
- Where it is used
- A smooth major chord with a major seventh above the root.
Minor seventh
- Symbol
- Cm7
- Formula
- 1 ♭3 5 ♭7
- From C
- C E♭ G B♭
- Where it is used
- The ii chord of the ii–V–I progression and a staple of modal jazz.
Minor-major seventh
- Symbol
- Cm(maj7)
- Formula
- 1 ♭3 5 7
- From C
- C E♭ G B
- Where it is used
- A minor triad with a major seventh. It sounds like a dark and suspended tension.
Half-diminished seventh
- Symbol
- Cm7♭5
- Formula
- 1 ♭3 ♭5 ♭7
- From C
- C E♭ G♭ B♭
- Where it is used
- The iiø7 chord of a minor key, also written Cø7.
Diminished seventh
- Symbol
- Cdim7
- Formula
- 1 ♭3 ♭5 𝄫7
- From C
- C E♭ G♭ B𝄫
- Where it is used
- A symmetrical stack of minor thirds. B𝄫 sounds the same as A.
Augmented seventh
- Symbol
- C7♯5
- Formula
- 1 3 ♯5 ♭7
- From C
- C E G♯ B♭
- Where it is used
- A dominant seventh with a raised fifth, also written C+7.
Major seventh sharp fifth
- Symbol
- Cmaj7♯5
- Formula
- 1 3 ♯5 7
- From C
- C E G♯ B
- Where it is used
- An augmented triad with a major seventh. It sounds bright and unsettled.
Seventh suspended fourth
- Symbol
- C7sus4
- Formula
- 1 4 5 ♭7
- From C
- C F G B♭
- Where it is used
- A dominant chord with the fourth in place of the third.
Seventh flat five
- Symbol
- C7♭5
- Formula
- 1 3 ♭5 ♭7
- From C
- C E G♭ B♭
- Where it is used
- A dominant seventh with a lowered fifth.
Extended and Altered Chords
Ninths, elevenths and thirteenths.
Dominant ninth
- Symbol
- C9
- Formula
- 1 3 5 ♭7 9
- From C
- C E G B♭ D
- Where it is used
- A dominant seventh with the ninth added.
Major ninth
- Symbol
- Cmaj9
- Formula
- 1 3 5 7 9
- From C
- C E G B D
- Where it is used
- A major seventh chord with the ninth added.
Minor ninth
- Symbol
- Cm9
- Formula
- 1 ♭3 5 ♭7 9
- From C
- C E♭ G B♭ D
- Where it is used
- A minor seventh chord with the ninth added.
Dominant flat ninth
- Symbol
- C7♭9
- Formula
- 1 3 5 ♭7 ♭9
- From C
- C E G B♭ D♭
- Where it is used
- The usual dominant color when resolving to a minor chord.
Dominant sharp ninth
- Symbol
- C7♯9
- Formula
- 1 3 5 ♭7 ♯9
- From C
- C E G B♭ D♯
- Where it is used
- The major third clashes with the raised ninth. It is common in blues, funk and rock.
Dominant eleventh
- Symbol
- C11
- Formula
- 1 3 5 ♭7 9 11
- From C
- C E G B♭ D F
- Where it is used
- Usually voiced without the third to avoid the E–F clash.
Minor eleventh
- Symbol
- Cm11
- Formula
- 1 ♭3 5 ♭7 9 11
- From C
- C E♭ G B♭ D F
- Where it is used
- A rich minor color in modal jazz.
Dominant thirteenth
- Symbol
- C13
- Formula
- 1 3 5 ♭7 9 13
- From C
- C E G B♭ D A
- Where it is used
- The eleventh is left out. Players often omit the fifth or ninth too.
Major thirteenth
- Symbol
- Cmaj13
- Formula
- 1 3 5 7 9 13
- From C
- C E G B D A
- Where it is used
- An extended major color. The symbol does not fix one voicing.
Minor thirteenth
- Symbol
- Cm13
- Formula
- 1 ♭3 5 ♭7 9 11 13
- From C
- C E♭ G B♭ D F A
- Where it is used
- The full stack of thirds. Real voicings leave several tones out.
Seventh sharp eleven
- Symbol
- C7♯11
- Formula
- 1 3 5 ♭7 ♯11
- From C
- C E G B♭ F♯
- Where it is used
- The Lydian dominant color. A ninth is often added.
Also: Scales · the whole book
Chord symbols and voicings vary by style. No chord–scale pairing is right in every context.
Hear them in Chords and Scales →